"I didn't ask very much," said her companion. "He has been gone some time. The great thing seemed to be to understand clearly that he wouldn't be content with anything less than what he mentioned." "Why, of any reviving pleasure that one might feel in such an exhibition. I shall feel none at all. You may personally take it as you like; but what conceivable good will it do?"!

Even yet, however, he hung back; and she remembered how, at the end of his hour at Ricks, she had been put to it to get him out of the house. He had in general a sort of cheerful slowness which helped him at such times, though she could now see his strong fist crumple his big, stiff gloves as if they had been paper. "But even if there's no letter—" he began. He began, but there he left it. "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.

All the girl's effort tended for the time to a single aim—that of taking the thing with outward detachment, speaking of it as having happened to Owen and to his mother and not in any degree to herself. Something at least of this was in the encouraging way she said: "Yesterday morning?" Blankness was for a moment on Mrs. Gereth's brow; then light broke—she visibly remembered the scene in the breakfast-room after Mona's night at Poynton. "Because I contrasted you—told him you were the one?" Her eyes looked deep. "You were—you are still!" "It looks just like Waterbath; but, after all, we bore that together:" these words formed part of a letter in which, before the 17th, Mrs. Gereth, writing from disfigured Ricks, named to Fleda the day on which she would be expected to arrive there on a second visit. "I sha'n't, for a long time to come," the missive continued, "be able to receive any one who may like it, who would try to smooth it down, and me with it; but there are always things you and I can comfortably hate together, for you're the only person who comfortably understands. You don't understand quite everything, but of all my acquaintance you're far away the least stupid. For action you're no good at all; but action is over, for me, forever, and you will have the great merit of knowing, when I'm brutally silent, what I shall be thinking about. Without setting myself up for your equal, I dare say I shall also know what are your own thoughts. Moreover, with nothing else but my four walls, you'll at any rate be a bit of furniture. For that, you know, a little, I've always taken you—quite one of my best finds. So come, if possible, on the 15th."